Private Eye Harriet Holmes (Olivia Wadsworth) travels to Willimantic, Connecticut in an attempt to discover the second part of the Lost Episode of Nutmeg Junction featuring the music of Tom “The Suit” Forst”
This episode is “part two” of the three part Harriet Holmes and the Search for the Lost Episode saga.
The idea for the Lost Episode revolves around the trope that somehow there was a “missing episode” that didn’t air that has to be discovered.
In this case we had some segments that together wasn’t a full show but when put into this format creates a way of introducing a wonderful character-the Harriet Holmes private eye.
When Olivia Wadworth joined our troupe I had pitched to her the idea of a detective story called Harriet Holmes. (see episode 11 for more information). Harriet’s inaugural episode was a knock out with clever interaction between Jack Sheedy and Jandi Hanna. This episode is mainly a “two-hander” as it is really a two person episode with the musicians recorded separately. Tom the Suit Forst had recorded with us in May. I wanted to air his music before the new album came out.
Robert C Fullerton was a trooper and came in to record his song and his bridge (no pun intended) dialogue, bridging the Holmes portion to the “discovered lost episode” portion of the show.
There are many phrases Harriet Holmes says in the opening monologue that I particularly like. “SNIDELY HAD THE KIND OF A PERSONALITY THAT COULD MAKE ANY FRIDAY FEEL LIKE A MONTH OF TUESDAYS” springs to mind.
Our director, Conrad Sienkiewicz, works in Willimantic and so he was the perfect actor to be the fount of information about Thread City.
I like Willimantic and all of the venues we reference in the show. I’ve never been to the foot bridge but I have been to the Frog Bridge, the Mill Museum, etc. There are many music venues that could fit the bill for that portion of the story so I didn’t specify the location.
We’ll have one more Harriet Holmes Lost Episode (the conclusion) but that won’t be the last of the Harriet Holmes character, far from it. The Harriet Holmes character may be one of the best candidates for the subject of our upcoming Writers Room experience in September.
EPISODE 19: HARRIET HOLMES AND THE SEARCH FOR THE LOST EPISODE PART TWO
WRITTEN BY J. TIMOTHY QUIRK (C) 2018
OLIVIA WADSWORTH AS HARRIET HOLMES
CONRAD SIENKIEWICZ AS DUKE SNIDELY
ROBERT C. FULLERTON AS HIMSELF
TOM “THE SUIT” FORST AS HIMSELF
J. TIMOTHY QUIRK AS CONDUCTOR JT
DIRECTED BY CONRAD SIENKIEWICZ
ALL MUSIC PERFORMED FOR THE NUTMEG JUNCTION EPISODE AND USED WITH PERMISSION HOWEVER ALL OTHER RIGHTS ARE RESERVED TO THE MUSICAL CREATOR.
NUTMEG JUNCTION THEME MUSIC BY ROBERT C. FULLERTON (C) 2018
In which the crew of the space ship “Salisbury” arrives at the Vermilion system to pick up First Op. Gillard who had been on shore leave. But how will the Space Sentry Central Command rocket powered transport vessel dock with the Salisbury’s docking station if there’s no engineer to guide the way? Can Ensign Puffle learn the assignment in time?
In Episode 6 we introduced the idea of Space Sentries which is loosely based/parody of the old sci fi shows that had to substitute techno-babble jargon in the place of a budget for appropriate sci-fi ambiance. Additionally there is one golden age of radio program that certainly hawked a number of products and incorporated them into the stories.
With that in mind, this show is dedicated for the story tellers who learned to utilize the gift of storytelling through toys and imaginative play. The visual on the episode picture is loosely based on old action figure sets of the 80’s so it gives the impression of them without actually looking like any of them.
Once again Space Sentries stars Rich Cyr as Ensign Puffle, Kurt Boucher as Commander Alx and Phil Hall as Admiral Complication. Joining the episode is Dan Willey as First Op. Gillard.
And for a fun treat we also had three more actors join the cast as the voice of their respective “action figures”, Lana Peck voiced “Laurel (Locksmith) Yannie, Tiffy McKay voiced “Jenny Snips the hair stylist” and Sharon Waagner voiced the enigmatic Dr. Woolf saying the character’s most popular catchphrase.
This episode was tricky to edit as there were four separate audio tracks.
Dan and Sharon both rehearsed with the team on rehearsal night but unfortunately had other obligations for recording day so we recorded them separately (on a Wednesday night).
Then I recorded Lana and Tiffy separately as their action figures only had a few phrases. Well technically Lana’s toy only says one phrase and Tiffy’s figure says one phrase but at the hair salon play set there’s an additional sound that has Jenny Snips say “I’m going to need a bigger comb!”
In my formative years I enjoyed the Star Wars action figures and I can assure you, Hammerhead had greater adventures in my charge than he ever got in the movies.
But in this episode there’s a reference to the old MEGO toys because I refer to a vinyl play set like I used to have with the Star Trek bridge and my sister had with a Wizard of Oz play set.
On the day of recording Rich came off work later than expected so i had to record HIM separately.
So this is one episode where during recording, to help everyone know the pacing of their lines, I voiced every single character from the announcer (Conrad) to Puffle, Alx, Gillard, Complication as well as Yannie, Snips and Woolfe and yet no one will ever hear my versions of these characters as I edited myself out and put in the proper voice in.
In total the editing process had four separate vocal tracks then I added the music and sound effects.
For the main recording day, I had help as Rich Boucher manned the controls and ensured the levels of the performers were in the correct range. We look forward to his work in the future if he chooses to join us on future adventures!
Side note: in the future no one will really get the Laurel Yannie reference. Suffice it to say that for a minute in 2018 facebook blew up with people hearing either Laurel or Yannie in an audio file. Given what we were doing with audio files, I felt this is entirely appropriate to name the character Laurel Yannie.
So we will continue to tell Space Sentries stories and build the crew of the “Salisbury”. The ship is named for a town in the broadcast range of WHDD which plays our program Nutmeg Junction on the multiple stations of the robinhood radio network.
Everyone who was involved in this particular episode enjoyed working on it. We’ll be bringing Dan and Phil back on more adventures in different roles.
We have a big summer planned.
EPISODE 15: SPACE SENTRIES II (c)2018
created, written and produced by J. Timothy Quirk
Directed by Conrad Sienkiewicz
Sound Production by Ray Boucher
RICH CYR AS ENSIGN PUFFLE:
KURT BOUCHER AS COMMANDER ALX:
PHIL HALL AS ADMIRAL COMPLICATION
CONRAD SIENKIEWICZ AS THE ANNOUNCER
DAN WILLEY AS FIRST OP GILLARD:
TIFFY MCKAY AS JENNY SNIPS
LANA PECK AS LOCKSMITH LAUREL:
SHARON WAAGNER AS DR. WOOLFE
Nutmeg Junction theme song by Robert C. Fullerton all rights reserved to the performer and used with permission.
Foley and additional music courtesy of Youtube royalty free music
The Battle of Elsenorift features an all female cast and female director in honor of our VIP guest, Marilyn Olsen who is a Board Member of The Lipstick Project (CT) that serves the purpose of supporting women artists especially in Theater.
Olivia Wadsworth and Jandi Hanna reprise their roles as Ava and Evelyn and conducted an interview with our guest in the same way that they conducted the interview with Nancy Sasso Janis in episode 11.
Jandi Hanna was an assistant director during a show I acted in (Twelve Angry Jurors in Goshen). Jandi stepped into the role of director and did a wonderful job working with our actors who had a wide range of theater experience.
Jandi also portrayed the Queen and Olivia portrayed the part of Barbaria. When Olivia put on her voice of a slightly stuffy nosed (pretend cold) Barbaria we all cracked up. It worked so perfectly and I wasn’t expecting it.
For some background I had the enormous pleasure of seeing a production of Master Class about the life of Maria Callas starring Marilyn Olsen and which featured Deborah Goodman in a wonderful role as a student. This episode was a marvelous opportunity to reunite these actors.
I had just interviewed Marilyn for the Nutmeg CHATTER program where she discussed the Lipstick Project (CT) and asked her if she’d be interested in doing the Junction program. Fortunately she said YES!
Deborah Goodman was on board and immediately “got” the Python-esque feel to some of the repartee between her character and Marilyn’s “Valkyria”.
Poet Patricia Martin was also a newcomer to the Junction team but she has an extensive resume of vocal work especially as an author/poet and the creator of the Speak-easy poetry reading series. So I had her character as “The Scribe” but it was almost unfair as her character has to set up the entire backstory with, as a hallmark of our show, some ridiculous words and phrases to say but with Jandi’s direction and with Patricia’s professionalism it worked out well and Jandi and Patricia had a nice ad-lib moment which made it into the final cut of the show.
Shannon Sniffin joined us as The Page and made remarkable work of a character who might have just slipped into the background in lesser hands. Her deadpan style of answering “I shall not tarry, my liege” was a better delivery than my script deserved. I enjoyed her work in Landmark Community Theatre’s production of “The Game’s Afoot” and it was great to have her join us and there will be more opportunities for Shannon and for all of the wonderful actors who worked on the show.
It was an honor to be in the room as they worked on this show and I thought how wonderful it would be if others could be there to see the show performed live for it was a rare treat.
I will absolutely ask each actor to come back and certainly, if they work together that theatrical alchemy that was created will be magical once again.
EPISODE 14: THE BATTLE OF ELSENORIFT (c) 2018
written, created, produced by J. TIMOTHY QUIRK
NUTMEG JUNCTION THEME MUSIC BY ROBERT C. FULLERTON (C)2018
MARILYN OLSEN as VALKYRIA and as herself
DEBORAH GOODMAN as SUSAN
JANDI HANNA as THE QUEEN/EVELYN
OLIVIA WADSWORTH as BARARIA/AVA
PATRICIA MARTIN as SAGOPAZ
SHANNON SNIFFIN as THE PAGE
DIRECTED BY JANDI HANNA
Additional foley and music by YOUTUBE royalty free music or otherwise found in the field by J. Timothy Quirk
All characters and situations are completely fictional. Any similarities between anyone living or dead is completely coincidental.
As it was mentioned in Episode 5, we had worked on three chapters of the Professor A: Adjunct Professor to the Multi-verse saga and of course we had the intention to do more. But I found when I edited the show that it sounded best with the chapters at approximately 15 minutes in length (at least for the first two) so we had an extra chapter recorded but not shared with our audience yet.
Secondly, when Olivia Wadsworth came on board I had pitched to her the idea for HER character to be Harriet Holmes. It’s always been my intention for each actor to have a signature role. Some actors may have more than one but I’d like each actor to have episodes where their character is the star. Anyway at the time I envisioned a London tale of Harriet being an actual sibling to Sherlock but found that the tv show SHERLOCK had already put out a story where there was a sister character for Sherlock and it would have seemed too derivative if I tried that too, no matter how I played it.
But as it turned out I also wanted to do a tough as nails Detective character. I have many uses for that character and certainly hard boiled detectives are so ubiquitous in Old Time Radio I’ll have many detectives on the show voiced by many different actors.
Ok, and here’s the thing. I wrote the detective story, finding the lost episode of Nutmeg Junction with a detective without a name. I wasn’t sure what we would call her.
I wrote the opening soliloquy the night before recording and posted it on facebook. This helped Olivia work on and find the voice for the recording session. I finished the story the following day, which was the day of recording, with the final pass completed 15 minutes before i left for the radio station. It’s a tight script that flows very well and there’s very little (if anything at all) I’d change about it.
I cast Jack Sheedy in the role of Lenny Snitchwell. Jack is a writer, an author and editor of a newspaper (Catholic Transcript), and the idea of an “English Major” is a call back to another show that for many years carried the torch of Old Time Radio. Jandi reprises her role of Nonna Hanna.
While we were at the table read, we discussed the fact that the detective didn’t have a name. I believe it was either Jandi or Olivia who brought up the idea of Harriet Holmes. i can not take credit for that at all. But the name fit perfectly and I asked Olivia if she wanted the detective character to be called that. She did.
So that’s how we have Harriet Holmes as a “modern” private eye, not beholden to any Sherlock but understood on her own terms.
Jack did a remarkable job as “Lenny”. He knew the character instantly and gave the right flourish.
The Professor Episode was a lot of fun. This one felt had a lot of comedy thanks to all of the actors in the cast. Everyone has a good line or two including Josh and Jandi as the two humans: Freddie and Alice (which they performed in a cockney accent).
There is only one slight editing mistake I missed in this portion of the show but I will fix it in future editions of the show.
Listeners can expect MORE of Harriet Holmes (she will undoubtedly return in Search for the lost episode part two, and more of the Professor. I plan to have scripts written and recorded this month.
This story features the vocal talent of Olivia Wadsworth and David Macharelli who portray two strangers who meet on the trolley and together they find they share much more than a destination.
Within the program are two stories featuring the incomparable Josh Newey as Washington Irving, who gifts to the listening audience the best performance of a fictional Washington Irving ever produced on radio.
David Macharelli’s ad-lib as Charles Dickens to Newey’s Washington Irving, “You put the Ass in Amb-ASS-adore” was enormously popular in the recording studio but we opted not to have that in the broadcast of the show. Perhaps a later version may include it!
Directed by Conrad Sienkiewicz, this episode was rehearsed once at Trinity Episcopal Church and then again before recording the episode.
Rich Cyr was at the rehearsal but could not be at studio on the recording date so we recorded his work separately a day earlier. As a production note, Cyr had studied how Edgar Allan Poe probably sounded with research via youtube videos but during the rehearsal was informed that the author had written the role with Cyr’s own voice in mind.
Quirk performed Cyr’s role during the main recording session and reversed the process when recording Cyr alone, then edited the two recordings together.
Jandi Hanna took on dual roles as the prim and proper Alice Dare-Crook (there was discussion on the name of this narrator character. I considered a George Plympton reference but we settled with an Alistair Cooke one.
There are too many references to count for the Dickens/Irving interaction. yes, Washington Irving had a brother Ebenezer who had a shop that burned. i can’t help but think that Bracebridge hall actually did have an inspiration for Dickens for the Christmas Carol. Barnaby Rudge was a work that wasn’t exactly a barn burner for Dickens. References to Great Expectations, Hard Times, Bleak House, etc are all in there as well as many references involving Christmas Carol.
For the Poe story, the idea of “Helen” at Sunnyside came from the idea of wanting Poe to get the idea of Lenore for The Raven but didn’t want it obvious at the beginning. Researching Irving just a little i did find a relative named Helen who may have lived in western part of New York so I justified it that way. The idea of being hard of hearing so someone can hear the LEN sound more than the HE” in Helen sound worked for me.
Fans of Poe will recognize all the references from “The philosophy of Furniture”, “Three Sundays in a Week”, obviously the Murders in the Rue Morgue (and if you haven’t read it, there’s an additional pun in how we referenced it.
Poe actually did write to Washington Irving who responded in writing.
I see no evidence they actually met in person but Poe was a mysterious figure and he didn’t live so far away that such a trip would be out of the question so I like the fable aspect of this meeting.
A “star” of this program is the music by Robert C. Fullerton. He recorded the song twice, once with vocals and instrument and once just instrumental. Then I used the instrumental underneath the two characters (Kristen and Steve) as a musical emphasis which I think was a rather special aspect of this program.
SERENDIP-HISTORY WRITTEN BY J. TIMOTHY QUIRK (C) 2018
OLIVIA WADSWORTH AS KRISTEN
DAVID MACHARELLI AS STEVE AND CHARLES DICKENS
JOSH NEWEY AS WASHINGTON IRVING
JANDI HANNA AS ALICE DARE-CROOK AND HELEN
RICH CYR AS EDGAR ALLAN POE
J. TIMOTHY QUIRK AS CONDUCTOR JT
ROBERT C. FULLERTON AS HIMSELF
THE NUTMEG JUNCTION THEME (C) 2018 ROBERT C. FULLERTON
MR. JT (C) 2018 ROBERT C. FULLERTON
SERENDIPITY (C) 2018 ROBERT C. FULLERTON
ALL RIGHTS RESERVED TO THE ARTIST AND MUSIC PERFORMED BY ROBERT C FULLERTON AND USED ON THIS PROGRAM WITH PERMISSION
THIS IS A WORK OF FICTION. THE PROGRAM DOES NOT PURPORT TO PRESENT ACTUAL EVENTS.
This week Nutmeg Junction joined WESU Middletown radio. This is the first station to take on our show on since our premiere episode on 3/31/2018 (on Robin hood radio four affiliated stations WHDD) and 4/1 (WAPJ) and CROC radio.
So this is the show that can be seen a good introduction into our universe. If you haven’t heard our program before, this is a great episode to start with”. We have three stories in this episode: The Grey Whisper (featuring Jandi Hanna), Daring Darling Darly (featuring Caroline Sienkiewicz) and A Case of a Little Light Murder (featuring Lana Peck and Kurt Boucher). These stories have wonderful vocals from Josh Newey, Robert C Fullerton, Conrad Sienkiewicz and Rich Cyr.
Now I had originally considered having The Professor story in this segment but the Professor stories are approximately 15minutes so wouldn’t fit into a three section show. I considered Space Sentries and Tex Bijou but both are shows that benefit from the entire show listening experience.
These stories generally have everyone in our cast in the shows (except for Olivia who began recording with us after these episodes.
“THIS EPISODE IS A GREAT PLACE TO START FOR NEW LISTENERS”
“Tex Bijou: Cinema’s Singing Cowboy ™” was one of the original character creations that the came straight from the idea of doing a new “golden age of radio” style program in the first place. Westerns have a long and storied history in entertainment in all forms (novels, comic books, radio, tv and film) and the “singing cowboy” idea was a special form of that sort of hero. The two singing cowboys I always enjoyed were Gene Autry and Roy Rogers. Oh, the “tm” portion pf Tex Bijou: Cinema’s Singing Cowboy ™ is part of the joke of the character and show, we’re not trying to be precious here!
Robert C. Fullerton, a founding cast member of Nutmeg Junction, is not only a voice actor but is our primary musician on the show. He created the Nutmeg Junction theme, the Mr. JT theme and numerous other songs already on the show. So I thought it would be fun for his primary character to portray “Tex Bijou: Cinema’s Singing Cowboy (TM)” and the wanted Tex to be a surprising creation as the story unfolded. I wrote the Mise En Scene lyrics and he put those lyrics to music and improvised the theme to Tex Bijou. I added my whistling to that number!
As Sheriff and Deputy, the team of Kurt Boucher and Jandi Hanna was a joyous discovery and their characters eventual contempt of the Hollywood status of the main character grows funnier with every listen.
Jess and Jesse are the PAs portrayed by Olivia Wadsworth and Josh Newey. They have to carry the show’s premise and I enjoy how they succeeded in that task. Both Josh and Olivia brought nuances to the roles that improved the words on the page. For instance every time the Deputy wishes to chastise the PAs, Josh Newey’s Jesse always redirects back to the Sheriff. As memory serves that was not an intentional aspect of the script but Josh brought it to life and it works very well.
This episode was Olivia’s first real foray into our world of audio theater (she did play a minor role in the Professor episode with two lines but this was the first script that really showcased her talent). Her portrayal of Jess as an efficient PA who provides the list of options for the star of the show is a lot of fun!
And what can I say about Joel Benson! Joel had a few lines (just like Olivia had a few lines her first time out with us) but he sold every one of them! What makes this character work is how completely opposite his voice is to Tex Bijou’s (and Joel plays his stunt double. With Joel’s sense of humor, we’re lucky we have him in a subsequent episode (The Grey Whisper Returns) and we’ll have him come back for more! Joel has a radio show on WAPJ called “Unhinged” which airs Thursdays noon to 2pm.
The entire idea of Daring Darling Darly was to do a show that featured the “plucky” pre-teen adventurer who gets into tricky situations when trying to solve mysteries or deal with secrets far beyond the years of experience. Some characters in this genre have dogs as their animal companion so we chose to have a cat in this ours.
We also wanted the character to have a catchphrase and “Bob’s Your Uncle” was a particularly innocuous one that seems very dated which is entirely appropriate for the time period we’re going for (even though its unspecified).
Every cast member has or will have a signature character. We are fortunate to have Caroline Sienkiewicz as a valued team member/Junctioneer and she was perfect for this role.
These two episodes (Darly and the previous one with Space Sentries) showcased Conrad Sienkiewicz as the narrator/announcer who is hawking some kind of product associated with the show which was often an iconic feature of the golden age of radio programs.
Also some programs had “secret squad” messages so we created one ourselves! Here’s the code
This episode was rehearsed and recorded at the same time as Space Sentries and featured the same cast (except for Phil Hall who was the guest on Space Sentries)
We knew that Angel and the Hustler (a wonderful musical duo Robert C. Fullerton and Angela Luna) were going to record for this episode so we recorded our “passengers’ talking about the group and then recorded Angel and the Hustler later and they performed two songs brilliantly!
Our VIP guest was KJ Johansen of KBJB internet radio. She will be appearing in an upcoming episode of Nutmeg Junction as a vocal actor. We look forward to adding more voices from the KBJB family to the Junction audio experience!
This episode was inspired by the classic low budget sci-fi audio programs that attempted to prove their story took place in the future or space by using quasi-futuristic tech sounding terminology.
After the first three episodes that we recorded (which were actually Ep 2-4) a tactical decision was made internally to try to get ahold of our structure and cast a few cast members with each show, so that even though there were 8 regular cast members, a total of four may show up in one episode.
Now immediately after that we recorded Blaze Jackson (the first episode we released but had half the cast). Then we recorded Daring Darling Darly (which we haven’t released yet) and this one, Space Sentries with essentially the other half)
Space Sentries is essentially a “two-hander”, a two person show, with an additional role added in for complication. So this one featured Rich Cyr as Puffle and Kurt Boucher as Commander Alyx. I was asked why I called the character Alyx and the reason was that I did not know when I wrote it whether a male or a female actor would portray the role (both roles were gender neutral for casting).
This point found its way into a news article for the Lakeville Journal! We were pleased to have Shaw Izikson visit our rehearsal and learn about our show.
Our guest vocal actor and VIP guest was actor, author, podcaster, Phil Hall. We discuss his podcast (which can be found HERE) and his books (his 8th coming out about the Patterson-Gimlin tape)
This was an exciting episode and it’s a wonder as it was only the 7th episode that we worked on but it’s very complex and the editing was challenging and ultimately thoroughly rewarding. The end result is a program that took our show to the next level. We released this one as episode as Episode 5 because the lead actor, Lana Peck, has a starring role in Young Frankenstein at Theatreworks New Milford so we wanted to time the release of the show to coincide with that auspicious occasion.
Our episode has a VIP vocal actor Tiffy McKay, who is a children’s book author. McKay’s enthusiasm and professionalism performing as “Ms. Gentry” (and as the passenger who discovers the Prof. A book) ensured her a permanent recurring role in the Prof A stories.
This is the first episode where we do not have a musical guest or VIP interview and went straight for audio theater for the entire episode.
The theme music was created by Lana Peck and it has a wonderful sound effect I used throughout the episode when the Vortex is created. In fact we actually rehearsed and recorded three “chapters” of the Prof A “book” but when music and sound effects were added along with “pregnant pauses” as best befits the storyline, we found only two of the “chapters” fit in the half hour story. Therefore we know we’ll be enjoying more adventures of Prof A, Robere and Ms. Gentry in the future!
Professor A pays homage to the time-traveling parallel world hopping adventures of… well, adventurers who do that sort of thing and certainly the accents used by all the performers identify the region of the world where some of the most prominent characters of that genre were created.
The show was directed by Conrad Sienkiewicz during the rehearsal but I took on “associate director” role during the recording and it demonstrated how much we value having a director separate from a sound engineer.
We had a guest during rehearsal, actor Olivia Wadsworth, who was to be our invited guest for the late April and May episodes. She added her voice along with Rich Cyr and Jandi to the “students” who run away at the beginning of the first chapter. Rich Cyr couldn’t be at the rehearsal but he was there for the recording and he took the photos of the recording that I’ve posted throughout these show notes.
Regarding the Writing:
I wrote the characters Prof A and Robere specifically for Lana and Kurt Boucher respectively. When the script was submitted to Tiffy, Lana and Kurt, I believe all of them individually asked if the roles could be performed in a particular accent and I knew Josh Newey (who portrays Chessman) could do one.
The first “chapter” I wrote as a stand alone and sent it to all of the actors and Director Conrad Sienkiewicz. The challenge there was to create an entire world point of view, the relevant characters and a story with a beginning, middle and end all in about twelve pages which I accomplished. When there was universal acceptance of that script, I took to writing a second and then a third chapter.
Jandi Hanna and Josh Newey (not as Chessman but as a different character) have a marvelous turn in the third chapter of this story which we found will have to be shared when Professor A RETURNS!
For the character of “Chessman” the ultimate idea was to depict a protege of the main time-traveling heroic figure who had gone down what most would consider the wrong road but had his own point of view with a reason for doing the things he does. The backstory for this character was about as dark as I’ve gone thus far in writing. We’ll definitely see more of this character.
For the second “chapter”, note that as with anything, every idea’s already been done at least once. As it so turns out there is a Sci Fi show of a popular franchise which featured a “tardigrade” so it’s somewhat similar to using the “mite” I used for a Demodex Rex in a way but I had not seen the episode (I didn’t spring for the “all access” kind of platform that cost $ so I never saw it) and I wasn’t using the mite in the same way at all and ultimately my story boiled down to just the idea of evolution growing a large mite and the protagonist wanting the eggs of this creature to offer as a trade (which occurs in a third chapter of my story). Interestingly, the tardigrade from that franchise Sci-Fi show was argued as a controversy because of similarities between their use of that idea and a different “gamer” story-line? So my use of having a Demodex (Rex) wasn’t inspired by either item and I doubt anyone who listens to the story would believe it either.
Bearing in mind our radio program pays homage to concepts of Old Time Radio but none of the ideas or stories or characters are copies of any specific character and at best any similarity between any particular character would be a parody.
I relied extensively on the cinematic music found in youtube royalty free music and sound effects found myself and by Tiffy McKay.
I edited a rough draft of the first Chapter (The Fair Trade) and sent it to the group. I received valuable feedback from Lana and Tiffy and reworked some of the music and sound and Josh came in for a second read so I could get the volume more precise.
The second chapter I didn’t have the luxury of time to send out for feedback etc so this portion may or may not require some tweaking at some point but the ultimate idea of this one was fun.