Barnaby Druthers and the Ghost of William Terriss. A return to the classic case files of Barnaby Druthers in the Victorian era in London. A fictionalized account based on true events, the listener is invited into the Viscountess’ parlor to hear a story that requires Barnaby and Irene to investigate elements of the world of the supernatural.
In prior episodes of our “new” old time radio audio-theater program Nutmeg Junction, we presented the concept of “Space Sentries” which pays homage to the classic sci-fi programs of the golden age of radio. We take the concept into the future in this mockumentary where we imagine Space Sentries as a program that has been updated decades later and the amazing concept they come up with..is that the crew is older.
Rejoin Puffle and Commander (now Admiral) Alx, and Admiral Complication (now Hologram Admiral Complication) and the new crew as they discuss the adventures of the Starship Salisbury! Let’s hope the new team can keep control of the ship!
Season 2: Episode 9.
Listen HERE!
Show notes:
The original concept of Space Sentries was to pay homage to the sci-fi golden age radio programs of old-especially one program in particular that seemed to use sci-fi jargon instead of great sound effects to indicate it was a space program. Having done multiple episodes with characters Ensign Puffle and Commander Alx with Admiral Complication, we expanded the “universe” to include First Op Gillard, Lieutenant Laurel Yannie (which by now is a dated reference which makes it funnier for us), Beautician Jenny Snips, Doctor Wolfe (whose catch phrase is “Oops”), Ace Grimsely and of course the seemingly mythological enemies;the Galaxons.
The conceit of this “update” is to bring the show forward into the future, and by our standards, bringing it up to 1987. We introduce new characters like Captain Hudson, Lieutenant Fields, Murph, Lieutenant Machinery and a producer and a writer for the program.
This was one of our largest groups recording a show so we took shifts to make sure we could do it right. Kurt Boucher (Commander-now Admiral Alx) was under the weather so he recorded his lines at home and we dubbed him in.
Everyone had the script for the mockumentary portion. When we arrived for the rehearsal/recording, I provided the short “The Vector Theorem” which we recorded immediately thereafter.
We may create MORE Space Sentries stories in the future depending on the availability and interest of the cast but if you have any comments on it, feel free to share!
Credits
Written/created and produced by J. Timothy Quirk (c)2019
Space Sentries Theme Song (1 and 2) written and created and performed by Robert C. Fullerton (c) 2019
What happens when an aristocratic layabout nephew becomes engaged to a werewolf “from the best of families”? Find out in part two in our conclusion of our loving parody of PG Wodehouse’s work in Giles and Brewster and the Zombie Apocalypse part two!
“Lord and Lady Chennington” Robert C. Fullerton and Olivia Wadsworth
J. Timothy Quirk and Kurt Boucher
CREDITS
Nutmeg Junction, Season 2 episode 2
Giles and Brewster and the Monster Apocalypse (part 2) was written, created and produced by J. Timothy Quirk
The program was recorded at WAPJ, Torrington Community Radio
The program starred:
David Macharelli as Woodrow Brewster
Josh Newey as Giles
Lana Peck as Gloria Chennington
Shannon Sniffin as Gwenivere Chuttle
Jandi Hanna as Aunt Agnes
Kurt Boucher as Toppers
Robert C Fullerton as Lord Chennington
Olivia Wadsworth as Lady Chennington
And J Timothy Quirk as Butterby and Gussie Knitfottle
We begin Season 2 of our audio theater golden-age-of-radio style program by paying homage to the work of the great humorist PG Wodehouse in our loving parody that posits the question, how would the aristocratic world of a gadfly nephew and his gentleman’s gentleman handle an apocalyptic world filled with vampires, werewolves, zombies and more. The answer is found in our two part episode entitled “Giles and Brewster and the Monster Apocalypse” This is PART ONE
CREDITS
Giles and Brewster and the Monster Apocalypse was written, created and produced by J. Timothy Quirk
The program was recorded at WAPJ, Torrington Community Radio
The program starred:
David Macharelli as Woodrow Brewster
Josh Newey as Giles
Lana Peck as Gloria Chennington
Shannon Sniffin as Gwenivere Chuttle
Jandi Hanna as Aunt Agnes
Kurt Boucher as Toppers
Olivia Wadsworth as Lady Chennington
Robert C. Fullerton as Lord Chennington
And J Timothy Quirk as Butterby and Gussie Knitfottle
Additional music and sound courtesy of youtube royalty free music
Please tune in next time for the conclusion, part two of Giles and Brewster and the Monster Apocalypse
Season 2 we will continue to bring you more unique adventures including more of The Grey Whisper, Space Sentries, Tex Bijou and all of your favorite characters.
Until next time, we hope you enjoyed the ride and may all of your journeys bring you back to a happy home.
A delayed trolley allows a father and son to reconnect over the memories of Saturday morning cartoons.
Jeff Savage and David Macharelli as “Dad and Jake” in “Looking Forward to It”
Jeff Savage and David Macharelli helm this featured episode hearkening back to when Saturday mornings were meant for a bowl of cereal and cartoons on the television. The story is really a contemplation about “time”. Starting out the second half of our inaugural season of audio-theater, Nutmeg Junction presents an episode that takes the anthology series to a different level.
Director Jandi Hanna, Lana Peck and Kurt Boucher in “Looking Forward to It”
Directed by Jandi Hanna (her prior directorial work for the show was episode 18 “Battle of Elsenorift”) this talented cast all have moments in the spotlight.
MUSIC
Of particular interest for this show is the music. Robert C. Fullerton, the official troubadour of Nutmeg Junction show, creates a special theme for Packy-Dermy-Poo, our miniature Elephant mystery.
Kurt Boucher created an ode to tort law the way “schoolhouse’ style public service announcements might present the topic with contributions by Lana Peck and Nicole Boucher.
Lana Peck and Mik Walker’s 1998 “Jellybean Stomp” was the perfect theme for the SNARFLEPOOFS!
And apologies all around to anyone who has the “Snarfleday Song” still stuck in their heads. It was created and performed on guitar by J. Timothy Quirk and sung by the whole cast.
STORIES
Regarding the main story:
Jake and his father speak with an understanding of the other’s knowledgebase and not everything said is spoken with words. During rehearsal we discussed where the father was going and why and the performance by Jeff Savage and David Macharelli demonstrated deep insight into the characters. As the writer, I’m incredibly proud of this piece and thrilled it came to life the way it did.
Regarding Snarflepoofs 1 and 2
It seemed there was a time when cartoons were created specifically to sell a line of toys. I won’t go into specific names. But whenever there was a large troupe of characters in a cartoon, it was usually (it seemed) because they were selling figures of each character and the cartoon was completely secondary to that effort. The cartoons usually told some generic and forgettable “lesson” about “friendship” or “sharing” or “being nice”. I thought it would be funny if a cartoon was used to teach something a lot greater, like general philosophy. So that’s the idea of how Snaflepoofs was created. We make references to Rene Descartes (Day Cart says, “call me Cogito!” Plato (who wants to go into my cave and stare at the wall?” and Nietche (Sneetchey steals the show here-nice work by new addition to the team “Melissa Gabehart”)
The song for the holiday song just made me laugh. It’s three chords, generic and infectious. During editing I added in the jinglebells, then expanded the guitar-work to fit the narration so that at the end of each narrated segment, we came back to the refrain.
The largest segment of the show is Packy-Dermy-Poo, the homage to the “teen mystery solvers with an animal” genre. The story nearly wrote itself. I enjoyed immensely the idea of a character specifically named Redmond Herring (red herring). Packy Dermy Poo may be a one-off parody but I loved the laughter at the end and included it in the audio. It fits within the framework of the cartoon but it also demonstrates the fun we have creating Nutmeg Junction.
Mister Tort Law is wonderful, a creation from the mind of Kurt Boucher. I reached out to the musical cast members about what they wanted to create for the show, giving free reign. Kurt came up with the idea of teaching the concepts of torts in the PSA format. Fantastic. We may do an entire tort episode and base it in Winsted where the American Museum of Tort Law is located and we’ll use that song again.
We had a separate PSA that was non-musical and was a parody of the “ad for a TV disguised as a PSA but instead of saying a generic lesson, we taught Einstein’s law of relativity. It was a good idea but there was no time for it once the foley was added to the other segments during editing.
CREDITS
EPISODE 20: LOOKING FORWARD TO IT”
Written, created and produced by J. Timothy Quirk (c) 2018
recorded at WAPJ in Torrington, CT
Directed by Jandi Hanna
Starring Jeff Savage as Dad in the main story, Plato in Snarflepoofs, Redmond Herring in Packy Dermy Poo
David Macharelli as Jake in the main story, Day Cart in Snarflepoofs and Chuck in Packy Dermy Poo
Kurt Boucher as Mister Tortlaw, Renny in Snarflepoofs and Simon in Packy Dermy Poo
Nicole Boucher as Mister Tortlaw’s friend
Rich Cyr as Beau in Packy Dermy Poo
Mellisa Gabehart as the Passenger, as Sneetchey in Snarflepoofs
Jandi Hanna the narrator in Snarflepoofs and Professor Culpritt in Packy Dermy Poo
Lana Peck as Chum in Mister Tort Law, Princess Simone in Snarflepoofs and Val in Packy Dermy Poo
Olivia Wadsworth as Princess Wollstonecraft in Snarflepoofs and Kristine in Packy Dermy Poo
Serendip-History Nutmeg Junction recorded two episodes on this day. The cast from left to right is Joel Benson, Josh Newey, David Macharelli, Kurt Boucher, Jandi Hanna, Conrad Sienkiewicz, Olivia Wadsworth, Robert C. Fullerton
This story features the vocal talent of Olivia Wadsworth and David Macharelli who portray two strangers who meet on the trolley and together they find they share much more than a destination.
Within the program are two stories featuring the incomparable Josh Newey as Washington Irving, who gifts to the listening audience the best performance of a fictional Washington Irving ever produced on radio.
David Macharelli’s ad-lib as Charles Dickens to Newey’s Washington Irving, “You put the Ass in Amb-ASS-adore” was enormously popular in the recording studio but we opted not to have that in the broadcast of the show. Perhaps a later version may include it!
Directed by Conrad Sienkiewicz, this episode was rehearsed once at Trinity Episcopal Church and then again before recording the episode.
Rich Cyr was at the rehearsal but could not be at studio on the recording date so we recorded his work separately a day earlier. As a production note, Cyr had studied how Edgar Allan Poe probably sounded with research via youtube videos but during the rehearsal was informed that the author had written the role with Cyr’s own voice in mind.
Quirk performed Cyr’s role during the main recording session and reversed the process when recording Cyr alone, then edited the two recordings together.
Jandi Hanna took on dual roles as the prim and proper Alice Dare-Crook (there was discussion on the name of this narrator character. I considered a George Plympton reference but we settled with an Alistair Cooke one.
There are too many references to count for the Dickens/Irving interaction. yes, Washington Irving had a brother Ebenezer who had a shop that burned. i can’t help but think that Bracebridge hall actually did have an inspiration for Dickens for the Christmas Carol. Barnaby Rudge was a work that wasn’t exactly a barn burner for Dickens. References to Great Expectations, Hard Times, Bleak House, etc are all in there as well as many references involving Christmas Carol.
For the Poe story, the idea of “Helen” at Sunnyside came from the idea of wanting Poe to get the idea of Lenore for The Raven but didn’t want it obvious at the beginning. Researching Irving just a little i did find a relative named Helen who may have lived in western part of New York so I justified it that way. The idea of being hard of hearing so someone can hear the LEN sound more than the HE” in Helen sound worked for me.
Fans of Poe will recognize all the references from “The philosophy of Furniture”, “Three Sundays in a Week”, obviously the Murders in the Rue Morgue (and if you haven’t read it, there’s an additional pun in how we referenced it.
Poe actually did write to Washington Irving who responded in writing.
I see no evidence they actually met in person but Poe was a mysterious figure and he didn’t live so far away that such a trip would be out of the question so I like the fable aspect of this meeting.
A “star” of this program is the music by Robert C. Fullerton. He recorded the song twice, once with vocals and instrument and once just instrumental. Then I used the instrumental underneath the two characters (Kristen and Steve) as a musical emphasis which I think was a rather special aspect of this program.
‘
CREDITS
SERENDIP-HISTORY WRITTEN BY J. TIMOTHY QUIRK (C) 2018
STARRING:
OLIVIA WADSWORTH AS KRISTEN
DAVID MACHARELLI AS STEVE AND CHARLES DICKENS
JOSH NEWEY AS WASHINGTON IRVING
JANDI HANNA AS ALICE DARE-CROOK AND HELEN
RICH CYR AS EDGAR ALLAN POE
J. TIMOTHY QUIRK AS CONDUCTOR JT
ROBERT C. FULLERTON AS HIMSELF
MUSIC
THE NUTMEG JUNCTION THEME (C) 2018 ROBERT C. FULLERTON
MR. JT (C) 2018 ROBERT C. FULLERTON
SERENDIPITY (C) 2018 ROBERT C. FULLERTON
ALL RIGHTS RESERVED TO THE ARTIST AND MUSIC PERFORMED BY ROBERT C FULLERTON AND USED ON THIS PROGRAM WITH PERMISSION
THIS IS A WORK OF FICTION. THE PROGRAM DOES NOT PURPORT TO PRESENT ACTUAL EVENTS.
